Last month I went to see Tash Sultana at the Sidney Myer Music Bowl in Melbourne. Twelve thousand people apparently attended the gig, a part of the world tour promoting the muso’s second album “Flow State”. It is an ass-kicking achievement considering that not so long ago Sultana was just another Melbourne busker.
Part 1 OF “AM I EVER GONNA SEE YOUR FACE AGAIN?” A RANDOM COLLECTION OF UNKNOWINGLY OBVIOUS FACTS ABOUT AUSTRALIAN MUSIC SCENE
(Watch this video from the “Busker Stories” featuring Tash performing in one of the prime spots in the city.)
Busking goes way back in history. Whilst it’s hard to imagine a member of an Ancient society shredding the kithara (guess which instrument it predates) on the agora in Athens in exchange for a gold coin, it is that old. Think also troubadours in medieval France, mariachis in Mexico, and everybody’s most hated Christmas activity: the carolling. Benjamin Franklin (the famous American inventor turned politician), Guy Laliberté (the founder of Cirque du Soleil) and – wait for it – Rod Stewart (who, by the way, was deported from Spain for “vagabonding” when performing on the streets) were all buskers at some stage in their lives. A little surprised? Then let me hit you with a few more facts so that you understand why Tash Sultana’s story is quite a special one.
In the Cambridge English dictionary busking is defined as “performing music in a public place to get money from people walking past”. Google replaces the word “money” with “voluntary donations”. Wikipedia claims that other gratuities, such as “food, drink or gifts” are also accepted. These days you can even cyber-busk for bitcoins (I’m not sure exactly why anybody needing cash pronto would opt for that form of payment but, hey, what do I know about virtual currencies).
The native English readers will be heaps disappointed but the term itself doesn’t come from your language – soz! It was borrowed from the Spanish word “buscar” – meaning seek. It wasn’t until the 19th century, though, that it started being used on a larger scale in Great Britain and, thus, the whole wide music world.
Let’s talk some dull legal stuff for a minute. Reportedly, the first law affecting what is now known as busking dates back to antiquity, too. In the 5th century B.C. in Rome it was illegal to sing (as in making fun) about the government in public places under the death penalty. 26 centuries later buskers are protected under the same free artistic speech rights as other performers. At the same time, most busking meccas, such as London, New Orleans, Tokyo, Barcelona and (yes, you guessed it) Melbourne, have strict regulations pertaining to busking locations, hours, forms and general interaction with the crowd. Busking community itself goes by a “code of conduct” and “best practices”.
Back to present day Australia. Tash Sultana’s success story is perhaps the best recent Australian example of a music industry fairy tale: from an anonymous busker to a national superstar, conquering the world in a reasonably short period of time (give or take 3 years). And that’s not the only cool story coming from Oz.
Benjamin Stanford aka Dub FX is a street performer hailing from St Kilda (Melbourne’s beach and backpackers’ suburb) whose solo busking career took off… in Italy. Over the last few years he has been a frequent resident DJ at the (in)famous Night Cat in Fitzroy (Melbourne’s hipster suburb) due to popular demand. John Butler, an accomplished musician and co-founder of The Seed – an organisation supporting artistic expression and encouraging the “social, cultural and artistic diversity in Australian society” – was also a busker in Freo in Western Australia. Lastly, you surely know the Welsh band Catfish and the Bottlemen. Their unusual name was based on a famous Sydney street performer Catfish the Bottleman (real name: Michael Anthony Bevan) who plays using tuned beer bottles (wicked!). So, what does Melbourne have to do with it?
Street performers themselves recognise that the capital of Victoria has a unique busking culture, mostly due to the city’s vibrant artsy environment and (fairly) supportive local government. If you google the list of famous busking capitals, Melbourne will surely be there. My personal (slightly biased, I admit it) theory is that you can’t really call yourself a busker if you haven’t played in front of the colourful mix of tourists and locals in Bourke Street Mall – a pedestrian/tram only stretch of Bourke Street between Elizabeth and Swanston Streets. And let me tell you this: that place never disappoints. All year round, every day, pretty much all the time (well, maybe except for like 3am on a Tuesday) there is someone belting out their original material or covering hits somewhere in Bourke Street Mall. 100% guaranteed.
Why? Because location is key when it comes to busking. Bourke Street Mall is super central and close to the main transport hubs, like Flinders Street and Melbourne Central. And you never know which famous talent scout or music producer can get off the 86 or 96 tram at the Bourke Street Mall stop on any given day. Secondly, it’s one of the most popular shopping streets with the two biggest Australian department stores: Myer and David Jones. And who doesn’t feel generous to street performers after a big shopping spree. And lastly, Bourke Street Mall has always been the entertainment centre of Melbourne, with numerous theatres and cinemas in the past. Nowadays buskers simply maintain that tradition. To summarise: if you want to be somebody in the busking community, Bourke Street Mall is the place to be, because it gives you the right kind of exposure. But there’s a catch – you can’t just show up to perform there out of the blue.
It’s not a secret that buskers need permits in various cities in the world. Melbourne takes it a little further. To busk in the crème de la crème of Melbourne’s locations (= Bourke Street Mall) you need to have at least 6 months’ experience already and apply for a “premium” (!) permit. What that means in reality is that the aspiring musos go through an actual audition or what I like to call “casting”. Let me put it this way: it’s like getting to blind auditions on The Voice. It’s public knowledge that singers showing off in front of Boy George (in the Aussie version) or Adam Levine (in the American one) were already pre-selected to blow the judges’ socks off. The same happens with buskers in Melbourne. The city is famous for its music scene, so it wants street performers to reflect that as well. That’s why the quality of busking in Melbourne is incomparable to any other city in the world, in my humble opinion.
The “casting” process might sound slightly intimidating but it does have its advantages, and makes things a little fairer and more organised for everyone. Here are the most interesting facts from the City of Melbourne’s website:
- If you want to busk in other locations in Melbourne (not Bourke Street Mall), you can get a general permit but you must still attend the so-called Safety, Amenity and Performance Review (that’s not an audition, strictly speaking, but more of a pep talk).
- The “castings” happen approximately twice a month and they fill up pretty quickly. I just checked and the next available one is in the second half of May.
- If you’re a local busker, your permit is valid for 12 months. If you’re an interstate or overseas visitor, it’s only valid for 3 months (ouch!).
- Obtaining the permit is affordable and ranges from AUD 25 to AUD 70 – again, depending on where you’re from and what permit you’re after. If you also want to sell some of your promo stuff (like CDs, T-shirts etc.), you have to fork out AUD 100 additionally, though.
- If you’re a duo/group, each member needs to apply for the permit individually, which makes it slightly pricier.
- Once you’ve attended the review/audition and there are no big issues with your performance, you might even get the permit on the same day (hint: apply online, it speeds up the process).
- The review session is not only about the music – it also helps buskers understand potential risks and issues related to street performances (such as dangerous goods and general safety, crowd handling procedures, space management etc.).
- The panel you’re auditioning in front of to get the premium permit includes a busker as well. That way every possible perspective of the performance is covered.
I’ve never been to a busking audition in Melbourne (yet), so I can’t share my experiences. But this little video from the Busker Stories series gives you a glimpse of what it’s like. And you can tell both sides take it pretty seriously.
Not all the candidates are granted the premium permit from what I’ve heard, though. I don’t really know what the percentage of unsuccessful applications is and I couldn’t find the stats anywhere. But it’s not the end of the world – you can always re-apply. Moreover, the helpful Buskers Guide website strongly encourages musos to go through the process – the fines for being caught busking without a permit are pretty painful.
And even if you score your gig in Bourke Street Mall, you still have to obey some rules. Everybody gets their assigned pitches and time slots. Generally, you can only stay in one location for up to 2 hours (including set-up and pack-up). Then you should move to another location and mustn’t come back to the same one until the next day. This rotation is achieved through random draw of pitches, so that nobody is privileged. It also promotes diversity of performances and the potential of finding the right audience for you.
Feeling overloaded with information? Time for some real examples then. Here are a few stories of performers I’ve discovered over the last couple of years and whose videos or photos I’ve posted on my socials.
- Junction of Swanston & Bourke Streets, in front of the Daiso & Chemist Warehouse stores’ entrance. Just before Christmas 2018 I came across two cool buskers at the same location, playing one after the other. The first one – a busker going by the moniker Morf – is a very talented guy who, let’s just say, plays the guitar in a different way, laying it flat on his lap. And that’s not it. He produces all sorts of sounds using the instrument, from creating a baseline to crafting a melody, to tapping and creating rhythm. He’s also quite good at explaining his technique which, surprise surprise, is not looping for once. He definitely fulfils the originality requirement for Bourke Street Mall buskers. You can find a video from his performance on my Facebook page.
- Junction of Swanston & Bourke Streets, in front of the Daiso & Chemist Warehouse stores’ entrance. Yahnn literally broke my heart with his busking story. He was raising money for a plane ticket back home to Queensland for Chrissy (Christmas). Music aside, for me he also stood out because of his creative outfit (two different boots and the overall French Gavroche vibe) that complimented his performance quite well. I don’t know if Yahnn managed to get home for the holidays but check him out in this Instagram post of mine.
- Junction of Swanston & Bourke Streets, in front of the Vodafone shop. One evening I was walking home through the CBD area and stumbled upon a totally amazing guy (I’m not sure if he even is a proper busker – it was way too late for a “regulated” performance, I reckon). He used metal tins, rubbish bins and other street elements to create his sound. He didn’t have any placard with his name or socials but someone commented on my Instagram post that his name is Paul. I hope he can score a legit busking gig in Bourke Street Mall one day (if he hasn’t already).
- Elizabeth Street, in front of the H&M shop. Acoustic Holiday are a guitar/keyboard duo who play a pretty mellow, nostalgic mix. They seem pretty shy and don’t talk to the viewers that much but their performance makes up for it. You could basically sit there and listen to them forever. It’s just very… nice and soothing. See here if you agree.
- Off Bourke Street Mall; South Melbourne Market. It’s not only about Aussie music in Melbourne. Malcura play what they call themselves “heavy flamenco”. And what they can do with their guitars is simply incredible. If you want to hear a bit of modern Spanish music on a completely different continent, click here.
Busking in Melbourne is prestigious but it’s also hard yakka. That’s why I really appreciate musos who choose this lifestyle. Like Tash Sultana, every busker has a story. And if you’re unique and enjoy it as well, it can be a great start to a successful and fulfilling music career. So next time you see a busker in Melbourne or elsewhere, at least stop and listen to their story told through their performance. They just might be the next big thing in the music biz…